Panthère de Cartier Replica Watches – A Film by Sofia Coppola

Academy Award-winning director Sofia Coppola, who was recently named a “friend” of Cartier last year, helms the film timed for the relaunch of the French luxury label’s Panthère De Cartier copy watches with white dials.

Cartier Copy Watches With Golden Cases

The iconic timepiece which was originally released in 1983 and has been out of production since 2004, was relaunched in June this year.

The film directed by Coppola stars Mad Max: Fury Road and Gods of Egypt actress Courtney Eaton and disco queen Donna Summer’s daughters Brooklyn and Amanda Sudano. The soundtrack also features the ‘I feel love’ by Summer.

“When the Panthère fake watches with self-winding movements came out in 1983, there were so many great movies, and I love the stars of that time. I remember the glamourous kind of women who wore a Panthère watch. It was just a stylish time to remember and to propose a modern interpretation of it.

“The Panthère woman is elegant, sophisticated, chic and glamourous, still sexy and fun. I think she is a European woman who travels, so we set the story in that way.”

The discount Panthère de Cartier replica watch comes in two sizes and 14 styles, ranging from a small steel model (S$5,500) to a medium white gold and diamond version (S$40,500).

Jacqueline Kennedy’s Watch Breaks New World Record For Cartier Tank Replica Watches

Cartier wristwatch that belonged to Jacqueline Kennedy Onassis broke a new world record for a Cartier Tank when it sold for $379,500 (£300,00 approx) at the Christie’s Rare Watches and American Icons auction in New York. The 18-carat gold Cartier Tank replica watch was made in 1962, a year after Kennedy became First Lady of the United States, and a year before the assassination of her husband JFK.

It was estimated to sell for between $60,000 and $120,000 (£47,000 – £95,000), the fact that tripled the higher prediction reflects its illustrious provenance. It would have originally cost a few hundred dollars and similar examples in the vintage market sell for around $3,000, according to John Reardon, Christie’s international head of watches.

The luxury Tank fake watch was a gift from Kennedy’s brother-in-law Prince Stanislaw “Stas” Radziwill in 1963. Its caseback is engraved with: “Stas to Jackie 23 Feb. 63 2:05 AM to 9:35 PM,” a reference to the start and stop times of the 50-Mile Hike in Palm Beach in 1963, which Radziwill completed alongside his friend Chuck Spalding and secret service agent Clint Hill.

The hike was part of a nationwide public health initiative spearheaded by President Kennedy, who was concerned that Americans were becoming “soft”. The First Lady had challenged Radziwill – who was married to her sister at the time – to complete it, which he did in under 20 hours.

The watch is accompanied by an original painting of Radziwill and Spalding walking, created by Kennedy to celebrate their successful hike and as a thank you for the gift. The painting bears the matching dedication “February 23, 1963 2:05 am to 9:35 pm / Jackie to Stas with love and admiration”. The painting has never before been seen in public.

 The watches are square-shaped exquisite Cartier Tank Ordinaire fake watches, one of only three of its kind produced in 1963. It was a favourite of the First Lady; she can be seen wearing it in several photographs.

According to Christie’s, the watch and painting are two of the most important personal artifacts from the Kennedy presidential era.


“The Jacqueline Kennedy Onassis Cartier Tank series are copy watches with white dials full of emotion, love and history,” said Reardon. “Together with Jackie’s painting, these two objects capture the spirit of another era, a time where friendship and the ‘can-do’ optimism of the generation seemed to make anything possible.”

The private seller will donate a portion of the proceeds to the US National Endowment for the Arts.

The Christie’s sale also included a 1946 Jaeger Le-Coultre that belonged to Bob Hope which sold for $32,500; gold black crocodile straps Cartier fake watches engraved with “To Bumpy from Babe, Dec 25th, 1937”, a gift from baseball star Babe Ruth to New York gangster Bumpy Johnson which sold for $18,750; an asymmetrical Hamilton watch owned by President Lyndon B Johnson which realised $18,750; and three watches that were in the collection of Joe DiMaggio.

Watch This Space: Mechanical Movements Cartier Crash Replica Watches In Motion At The Design Museum

No other luxury brand manages its heritage with quite the same erudition and style as Cartier replica watches with white dials as can be seen through the constantly refreshed cycle of exhibitions that the maison stages or supports around the world, from properly academic retrospectives presented by the likes of the British Museum to more conceptual experiences such as the “Precious Garage” staged as part of Milan’s Fuorisalone.

The cheap Cartier Crash fake watches in Motion show, staged at the new Design Museum in Kensington breaks new territory for the brand as it leaves much of the curation to Norman Foster and the museum’s director, Dejan Sudjic. Lord Foster gives the exhibition a much more personal flavour that Cartier could impart itself, as he focuses on the characters and cultural shifts that excite his attention. In practice, that means acknowledging the enormous energy that Baron Hausmann’s new city plan unleashed, looking at Louis Cartier’s relationship with adventurous spirits such as the pioneering aviator, Alberto Santos-Dumont and Gustave Eiffel and exploring Louis Cartier’s interest in new technologies. There’s a replica of the Demoiselle plane that Santos-Dumont built to contest the Deutsch Grand Prix d’Aviation as well as  designs doe cars, boats and planes form Louis Cartier himself.

The greater part of the exhibition concentrates on the watches and timekeepers that Cartier design for the following generations for whom flying was more glamour than adventure (at least in theory). There are numerous versions of the Tank, the wristwatch that copy watches with golden cases designed after seeing a First World War Renault tank, mystery clocks, nécessaires for motorists, while the Foster touch makes itself felt through beautifully designed showcases and models made by the Foster and Partners studio. Underpinning the exhibition is Foster’s absolute respect for the craftsmanship that is at the heart of everything that Cartier does, a concern that takes physical form with the inclusion of a watchmaker’s workbench  and tools.

London’s Design Museum Takes Flight With Cartier Santos Replica Watches In Motion Show

When Emperor Napoleon III asked Baron Haussmann to clean up the stinking, narrow streets of 19th century Paris and recast the French capital as a modern, airy and elegant city, little did he know he would usher in a gilded age of invention.

Haussmann’s new Paris rapidly became an epicenter of elegance and fine geometry, of machines, mechanisms and structures that no one had seen before. Gustave Eiffel built his bridges and his famous tower, while Alberto Santos-Dumont made fantastical flying machines for racing and for zooming around Paris to all of his favorite restaurants.

Around the same time, Louis Cartier replica watches with mechanical movements moved his workshop to central Paris and, inspired by Haussmann’s strict geometric shapes, began designing his watches and clocks with angles and fine lines to reflect the new, spare and industrial aesthetic.

Cartier and London’s Design Museum are marking that moment in history with an exhibition curated by the airplane-obsessed British architect Sir Norman Foster, which runs from May 25 to July 28.

Cartier in Motion

“Cartier in Motion,” which is co-curated by the Design Museum’s director Deyan Sudjic, takes a look at the design revolution that happened in those years, and how Cartier Santos fake watches with white dials and jewels were shaped and influenced by the inventors of the day.

The star of the entertaining show is Santos who, with his passion for nutty flying machines and great heights, pushed exquisite Cartier Santos replica watches  to come up with the wristwatch at a time when everyone was wearing a pocket watch on a chain.

The newfangled Cartier invention was an efficient device that allowed Santos to tell the time without having to lift his hand from the steering wheel of the airplane.

Fittingly, the centerpiece of the show is one of Santos’ Demoiselle airplanes, a spindly, one-seater creation made from bamboo tubes. It sits in the middle of an upstairs room at the museum, surrounded by cases full of more than 170 objects and artifacts. There are Cartier copy watches withand jewelry, a vintage workbench with tools, backlit black-and-white images of Cartier and his fellow innovators, and a timeline that aims to contextualize all that was happening during the golden years of Parisian invention.

There’s even a tableau featuring replicas of the “high furniture” from Santos’ Paris apartment. He liked his guests to experience what it was like to eat and drink 10 feet off the ground.

Foster, who is best known for projects such as The Reichstag Building in Berlin, London’s Millennium Bridge, Wembley Stadium and the Great Court at the British Museum, said the Cartier project played to his obsessions.

Cartier in Motion

“I’m an aviation freak,” Foster said during a walk-through. “I’m fascinated by how things are made, and I think there’s a kind of inner beauty in the making.” Foster said he’s always been moved by the “time, love and craftsmanship that goes into something that will never be seen.”

The show has been designed around “Paris and the new geometry of Haussmann. It’s also a departure from a normal exhibition because everything is movable and reusable. The show is totally independent of the space,” he said.

He was also interested in bringing the themes of urbanism, design, fashion, art and locomotives together in one show. “I’ve never been happy compartmentalizing different worlds,” he said.

Pierre Rainero, director of image, style and heritage at Cartier, said the aim was also to explore the “how” and the “why” behind the objects and that the show was the result of much in-depth research.

Highlights include the original Santos copy watches with golden cases design from the early 20th century: Cartier’s design features straight lines, right angles and rivets that resembled the ones on the Eiffel Tower.

The show also demonstrates how Cartier has been able to accommodate changing times and tastes. There’s an updated version of the Santos from the Seventies. Waterproof with a metal bracelet, the watch can be worn day and night, to the office and during sports.

Surely, those improvements would have wowed the daring Mr. Santos.